The repetition of that phrase frames this scene that ends of course with Iago’s vow of double knavery against The Moor. I can watch Branagh over and over as Iago or Hamlet. He goes to so many levels, dances and descends, and always seems to be in the moment, reacting to Roderigo as his weaknesses become apparent, as the moment develops, like a true sociopath, always fixated on the objective that is buried deep, protected.
TagsAbingdton Theatre Alicia Keys Arthur Miller Beckett Branagh Bruce Barton C.S. Drury Chekhov David Mamet Donna De Matteo Emily Bronte Eugene O'Neill George Jones H-B Studios Hamlet Hemingway Iago Jay-Z John Ortiz Kenneth Branagh Lee Blessing Mark Rose music Nancy McClernan New York Northwest Playwrights Alliance nycplaywrights NYC Playwrights Oskar Eustis Othello Overtime Theatre Peter Riegert Peter Sellars Peter Zinn Philip Seymour Hoffman Pinter prnyc Public Theater Public Theatre Rosie Perez Shakespeare The Caregivers The Maharini video White Noise
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